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Copyright, Fair Use, Content ID & Music Licensing

A creator submits a publishing agreement to dispute a claim actually asserting rights in the sound recording.

Problem

A creator submits a publishing agreement to dispute a claim actually asserting rights in the sound recording.

Solution

Root Cause / Diagnostic:
When a creator covers or uses a composition, they often secure synchronization permission from a record label or a performing rights organization (PRO) instead of the master recording owner. A PRO license (such as ASCAP, BMI, or SESAC) only covers public performance, not the legal right to synchronize sound recordings to moving images. Presenting a publishing or performance agreement to a record label asserting master rights results in instant dispute dismissal.

Actionable Fix:
1. Verify whether the claimant is asserting ownership of the "Sound Recording" master file rather than the musical composition.
2. If using the original artist's recorded audio, obtain a Master Use License directly from the record label or recording distributor.
3. If you performed and recorded the music yourself, state in the dispute: "This is an original sound recording wholly owned and created by the uploader; claimant does not own the master audio."

Pro Tip:
If creating cover songs, never use the original artist's backing stems or karaoke tracks; record 100% original instrumental tracks to avoid master sound recording Content ID matches.